Two divorced billionaire ex-spouses are forced back together for their daughter’s wedding, unaware the bride has been plotting a reunion of her own with an Indian family on the guest list.
Mildred Okwo returns five years after La Femme Anjola with something far lighter, and the veterans elevate every scene: Nkem Owoh’s comic timing alone is worth the ticket. The cultural mashup does not always cohere, but its ambition is infectious.
Verdict: An uneven but generous crowd-pleaser. The Nolly-Bolly experiment deserves a sequel.